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Sandro Botticelli Primavera (mk36) oil painting reproduction


Primavera (mk36)
Details of Zephyrus as he pusues and catches the fleeing nymph Cloris,to make her his bride.
new8/Sandro Botticelli-222624.jpgPainting ID::  25041
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli primavera (mk36) oil painting reproduction


primavera (mk36)
Detail of Cupid with eyes bandaged,shooting an arrow at Chastity,one of the Three Graces,Florence ,Galleria degli Uffizi
new8/Sandro Botticelli-734893.jpgPainting ID::  25044
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Primavera (mk36) oil painting reproduction


Primavera (mk36)
c.1482 Whole and details. Forence,Galleria degli Uffizi.
new8/Sandro Botticelli-347957.jpgPainting ID::  25045
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Primavera (mk36) oil painting reproduction


Primavera (mk36)
c.1482 Deatil of the face of Flora. the Latingoddess of Spring.Florence,Galleria degli Uffizi
new8/Sandro Botticelli-897243.jpgPainting ID::  25052
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli Primavera (mk36) oil painting reproduction


Primavera (mk36)
c.1482 Detail of Mercury. Florence,Galleria degli Uffizi
new8/Sandro Botticelli-892733.jpgPainting ID::  25053
 

 
 
   
      
Sandro Botticelli
  
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Primavera (mk36)
c.1482 Detail of Mercury. Florence,Galleria degli Uffizi

Related Paintings to Sandro Botticelli :.
| Bartholomaeus Spranger - The Adoration of the Kings | Study of Pine Trees | Giovanni Domenico Tiepolo--Centaur with a Club, and Two Satyrs | Claude Monet 024 | Jean-Jacques Henner - Portrait of Madame Paul Duchesne-Fournet | | The Sun Peeped | The Belgian steamer Amelie bound for Spain | Daedalus and Icarus | St. Jerome | Christ on the Cross aer |

        

 

 

 
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